![]() It highlights the lived experiences of people with disabilities to help readers develop a nuanced comprehension of disability. The New Yorker magazine, where he had been a staff writer for 33 years, reported that Mehta died on Saturday. The book shows how the inclusion of a disability perspective enriches scholarship by contributing to the understanding of social marginalization, oppression and the perception of difference. It focuses on foregrounding disability across various areas including education, law and sociology, critically exploring the interaction of gender and disability, and challenging the separation between theory and practice as well as academia and activism. The book imparts understanding of the social, political and cultural construction of disability as opposed to the traditional perception of disability in terms of medical condition, biological trait, rehabilitation and special education. A critical work on disability studies, this book explores the full complexity of disability in its multi-layered, interactional dynamics. He writes about serious matters without solemnity, about scholarly matters without pedantry, about abstruse matters without. He could rework a single article more than a hundred times, he often said.Disability in South Asia: Knowledge & Experience presents a comprehensive approach to various aspects of disability in South Asia. Ved Mehta has established himself as one of the magazine’s most imposing figures, The New Yorker’s storied editor William Shawn, who hired him as a staff writer in 1961, told The New York Times in 1982. ![]() His literary style derived partly from his singular way of working: Blind from the age of 3, Mehta composed all of his work orally, dictating long swaths to an assistant, who read them back again and again for him to polish until the work shone like a mirror. Celebrated Indian-American novelist Ved Mehta, who overcame blindness and became widely known as the 20th-century writer most responsible for introducing American readers to India, has died at his home in New York at the age of 86. "He writes about serious matters without solemnity, about scholarly matters without pedantry, about abstruse matters without obscurity." The recipient of a MacArthur Foundation "genius grant" in 1982, Mehta was long praised by critics for his forthright, luminous prose - with its "informal elegance, diamond clarity and hypnotic power," as The Sunday Herald of Glasgow put it in a 2005 profile. "Ved Mehta has established himself as one of the magazine's most imposing figures," The New Yorker's storied editor William Shawn, who hired him as a staff writer in 1961, told The New York Times in 1982. ![]() Besides his multivolume memoir, published in book form between 19, his more than two dozen books included volumes of reportage on India, among them "Walking the Indian Streets" (1960), "Portrait of India" (1970) and "Mahatma Gandhi and His Apostles" (1977), as well as explorations of philosophy, theology and linguistics. Associated with the magazine for more than three decades - much of his magnum opus began as articles in its pages - Mehta was widely considered the 20th-century writer most responsible for introducing American readers to India. The cause was complications of Parkinson's disease, his wife, Linn Cary Mehta, said. Ved Mehta, a longtime writer for The New Yorker whose best-known work, spanning a dozen volumes, explored the vast, turbulent history of modern India through the intimate lens of his own autobiography, died Saturday at his home in Manhattan. NEW DELHI After more than three decades as a staff writer with The New Yorker, and writing more than two dozen books, Ved Mehta recently came full circle, returning to India for the launch of. ![]()
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